Film is not now nor has it ever been the technology of truth. It lies at a speed of 24 frames a second. Its value is not as a recorder of history, but simply as a means of communication, a means by which meaning is generated. The frightening aspect of the documentary film is that it can generate rigid history in the present in the same manner that Disney can generate the colonial meaning of the culture of the Other. Whenever imploded films exist simultaneously as fiction and nonfiction they stand as evidence that history is made in Hollywood.