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Mohammed Collectif
France,
1980,
20 min

The Mohammed is an attempt by a group of young suburbanites to familiarize themselves with the instrument of film (in this case, Super 8). One of the members of this collective explains their approach as follows: "We are not concerned with the evolution of immigration conditions, but we want to make it clear to a segment of the urban population that the process of reappropriation must be accelerated. If they are interested in knowing how a camera functions, they are as interested in many other things. There is a limited block in their minds, but if you explain to them that everything is accessible, the guys get acquainted with things much faster. They will accelerate all by themselves in order to obtain a space to work in, to learn how to edit a rag or to create propaganda... Right now, the people are trying to familiarize themselves with the domain of the image, they no longer produce shabby-looking graffiti : they swot and there is a minimal political level. There is a double trick : the curiosity which makes it possible to integrate oneself into modern procedures and a decoding which enables them to make political progress. And that is no utopia!

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